FIND
Turn the ring to choose the frequency. Use LISTEN to isolate the band around it and hear what you’re aiming at.
RESONANCE SUPPRESSOR / BY UNFAZED
RESO [UF]
THAT ONE
FREQUENCY.
The ring. The boom. The whistle you can’t unhear. Find the frequency that’s getting in the way, shape the cut, and let DYNAMIC follow it.
$29 USD macOS [Apple Silicon] & Linux
- FIND YOUR FREQUENCY
- 20 Hz–20 kHz
- SET YOUR MAXIMUM CUT
- Up to 24 dB
- START SOMEWHERE USEFUL
- 50 presets
01 / THE WORKFLOW
FIND IT.
TURN IT DOWN.
One target frequency. As much control as you need to deal with it.
SHAPE
Pull REDUCE up for a deeper cut. Turn WIDTH for a narrow notch or a broader reduction. You decide how much goes.
FOLLOW
Raise DYNAMIC to make the cut follow the level in that band. REDUCE sets the maximum depth. At 0% DYNAMIC, the cut stays static.
02 / STARTING POINTS
FIFTY WAYS
TO START.
Low-end build-up, vocal bite, a ringing snare. Pick a starting point, then find the frequency in your own sound.
A starting point for sharp vocal sibilance. Adjust FIND to the voice.
Start in the low mids when the mix feels crowded.
A low-frequency starting point for sub build-up.
Find the ring in the snare, then set how far to pull it back.
A starting point for a top end that draws too much attention.
Different cut depths for the centre and sides. The face shows the deeper −5 dB setting.
SEE ALL 50 FACTORY PRESETS
Grouped here to help you browse. In RESO, they live in one factory list. INIT gives you a blank starting point, and you can save your own settings as .resopreset files.
Low end
- Mix De-Mud
- Vocal De-Mud
- Bass Note Even
- Sub Control
- Kick Boom
- Tom Ring
- Boxy Drums
- Guitar Body Boom
- Room Build-Up
- Side Low Clean
Vocals & speech
- Vocal De-Ess
- Vocal Harsh Ease
- Vocal Nasal Fix
- Chest Box Ease
- Breath Hush
- Vocal Air Glare
- Lead Presence Clean
- Spoken Word Smooth
- Backing Stack Blend
- Wide Double Tame
- Vocal Fizz Smooth
Instruments
- Acoustic Pick Soften
- Fret Squeak Ease
- Acoustic Top Ring
- Acoustic Sparkle Clean
- Amp Fizz Tame
- Cab Honk Ease
- Bow Rosin Grain
- Violin Whistle Tame
- String Section Edge
- Piano Hammer Soften
- Piano Upper Bloom
- Tine Bark Ease
- Flute Breath Ease
- Flute High Pierce
Drums & percussion
- Hat Sizzle Tame
- Hat Clang Ease
- Cymbal Wash Calm
- Snare Ping Tame
- Clap Peak Soften
- Shaker Click Ease
Synths, bells & FX
- Pad Fizz Clean
- Saw Lead Silk
- Synth Top Glare
- Pluck Glass Ease
- Bell Clang Tame
- Riser Whistle Ease
Mix & master
- Mix Harsh Ease
- Master Top Calm
- Side Harsh Calm
03 / UNDER THE SURFACE
MORE CONTROL.
SAME FOCUS.
Open SOUND to go deeper. Explore the twelve controls behind the menu.
01 DYNAMIC
DYNAMIC
Set how much the cut follows the signal. At 0% it stays static; higher settings ease back in quieter passages. REDUCE sets the deepest cut.
0–100%
02 OCTAVE
OCTAVE
Add lighter cuts at twice and four times the FIND frequency, each with its own detector.
0 to −100%
03 COMPENSATE
COMPENSATE
Give back body with a broad boost around FIND that follows the amount of reduction.
0–100%
04 LOW CUT
LOW CUT
Clear rumble with a high-pass filter before the resonance cuts.
OFF–500 Hz · 24 dB/octave
05 EXCITE
EXCITE
Shape presence with fixed EQ: a high-frequency lift and a small upper-mid dip, independent of FIND.
0–100%
06 INPUT
INPUT
Set the level before processing. INPUT also changes how strongly DYNAMIC responds.
−24 to +24 dB
07 OUTPUT
OUTPUT
Trim the level after processing and match the processed signal to BYPASS.
−24 to +24 dB
08 MID
MID
Set a separate cut for the centre of the stereo image while M/S is on.
0 to −24 dB · M/S enabled
09 SIDE
SIDE
Set a separate cut for the difference between the left and right channels while M/S is on.
0 to −24 dB · M/S enabled
10 TONE
TONE
Apply a fixed contour: less low body, a lift in the highs and a roll-off at the very top.
ON / OFF
11 M/S
M/S
Switch from one shared cut to separate MID and SIDE cuts, each with its own detector.
ON / OFF
12 DELTA
DELTA
Hear only what the resonance cuts remove. LOW CUT, COMPENSATE, EXCITE and TONE are excluded.
ON / OFF
04 / TRUST YOUR EARS
HEAR WHAT’S THERE.
HEAR WHAT GOES.
Two ways to check your decision. Your ears still get the final say.
LISTEN
Find the problem.
Solo the band around FIND while you sweep. LISTEN helps you locate the frequency you want to control.
DELTA
Check what you’re cutting.
Open DELTA in the SOUND menu to hear only what the resonance cuts remove. Use RESO’s BYPASS button for a time-aligned comparison with the original.
05 / MAKE YOURSELF COMFORTABLE
YOUR WINDOW.
YOUR CALL.
RESO opens at 100%. Choose 125% or 150% in SETUP → SIZE.
100% / DEFAULT
125%
150%
06 / SYSTEM REQUIREMENTS
YOUR
SETUP.
macOS [Apple Silicon] & Linux
- macOS
- macOS 14+ · Apple Silicon (arm64)
AU · VST3 · CLAP / native Apple Silicon host - LINUX
- x86_64 · glibc 2.35+
VST3 · CLAP / X11 or XWayland
FreeType · Fontconfig - CHANNELS
- AU / VST3: mono and stereo
CLAP: stereo
A FEW THINGS, BEFORE YOU ASK.
Does RESO find problem frequencies automatically?
You choose the target with FIND. DYNAMIC then follows the level in that band and varies the cut up to the depth you set with REDUCE. OCTAVE can add cuts at twice and four times the target frequency.
What’s the difference between LISTEN and DELTA?
LISTEN solos the band around your chosen frequency so you can locate it. DELTA plays what the resonance cuts remove, so you can check the result. They serve different parts of the process.
How do I install and activate RESO?
Install RESO through UNFAZED HUB. Sign in with your checkout email to access your purchased products, then choose which computer to activate. Until activated, RESO passes the audio through unchanged and the REDUCE fader stays grey.
Can I use RESO on Windows? Is a Windows version coming?
No. There is no Windows version, and we have no plans to make one.
Does RESO support Pro Tools or AAX?
No. RESO’s formats are AU, VST3 and CLAP on macOS, and VST3 and CLAP on Linux. There is no AAX version for Pro Tools.
RESO [UF] / $29 USD
ONE LESS THING
TO OBSESS OVER.
Less resonance. More room for the rest of your mix.